Hate Songs in E Minor

Fudge Tunnel’s 1992 debut for Earache Records distills noise rock and sludge metal into a caustic, feedback-drenched assault. Over forty-five minutes, the UK duo layers heavily processed guitars and buried vocals into a suffocating wall of sound—less melody than sheer sonic weight. Hate Songs in E Minor established the template for industrial-leaning noise that would define the label’s noisier output throughout the decade.