Fanny Adams

Fanny Adams' self-titled debut on Lizard Records arrives as a stripped-back electronic statement, favoring minimal percussion and stark synth architectures over maximalist production. The 573 listens across 27 dedicated listeners suggest a project that rewards close attention—intimate, deliberately paced, and resistant to easy categorization. Each track unfolds with the precision of someone uninterested in filling silence, letting texture and restraint carry the weight.